we are going to produce this long installation using prerecorded audio of different lenghts, from 20' to 60'.
The raw sound will be a tuba recorded using different playing techniques.
These long sound files will be loaded in Audiomulch and processed through its own contraptions just.
We are considering to make a strong use of automation to morph through them so that the resulting audio will possibly offer always new and different sound situations.
I've been working with Audiomulch for many years but this is going to be the first time I'll use it as the core of such a complex and delicate situation, this is why I'm checking things with you: does anyone who's experienced this kind of situations any advice or tip to share ?
Thank you and my best,