The back side of contraptions should include musical options, that do not influence the frontside in their normal state.
Digigrunge: 1. intensity envelope, +/- (rise/ fall) attack time, hold time, decay time, sustain value(automatable),treshold or time of sustain, +/- release. 2.Little patcharea. Outputs: Intensity envelope, two Envelope follower (sidechain/input) , midi keystroke strength, LFOs (drag and drop =no number) , more envelopes, Subtle connections gate(one)/ value(four) Inputs: two General inputs= intensity bitcrusher, intensity decimation, controll inputs of LFOs intensity/swingtime/gate(= restart), envelopes intensity and gate input(gates at treshold value), main envelope attack time/ sustaintime and value/ releasetime/ treshold value 3. attenuator of intensity input, 4. envelopes ADSR controlls and treshold value 5.LFO restart treshold/value, swingtime
Granulators: 1. point of sampling (every 1/4 note for sampling the bassdrums beginning); 2. point of sampling with (noise)gate
Arpeggiator: 1.second cycle jump (the frontside jump over an oktave, the backside a third , every oktave); 2. Sync (to 3rd oscillator). To restart the waveform of the first oscillator to keep things in pitch against the feedback (frontside); 3. detune first oscillator (3rd oscillator keep pitch); 4. Blend in/out 3rd oscillator 5. Sync Pitch (to automate the Sync Effekt (=detune 3rd oscillator)). 6. Playing modes: order of notes for example, 1,3,2,4; 1,4,2,3 and so on. When in the frontside the "down" modus was chosen this means, the highest note stays as number one, then the third highest is played, then upwards to the second, then the lowest.
Bassline: 1. Wet/dry through filter. 2. Sustain time(=Hold). 3.Sinus Suboscillator Oktave, mix(volume), pitch-sequencer with own length 4. Detune Sequencer of main oscillator with own length(made it more analog if you want or you can make your own harmonic scale, when it has the same length. 5 root scale(for subtle connections), 6. Shift sequencer +/- (= shift starting point of notes with own length) 7. glide (tie)sequencer (frontside is gate-tie); in the basis state, no step is activated,so that only frontside tied notes glide. The sequencer shows the program to which note the last gated note should glide. The glide begins with the end of the normal sustain and ends with the (not gated/or active) note. When the gate tie(frontside) is activated in front of it, the glide time expands to both sides to twice the time as before. If there is no pitch-change, any pitch change from the subtle connections side (main harmonic scale= audiomulch as a living instrument) will be registrated and the last note glide to the changed, marked note.
Very much so far, I hope you didn´t get tired,
these things show the possibilities