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- Introducing AudioMulch
- Using AudioMulch
- User Reference Guide
- Menu Item Reference Guide
- Guide to the Example Files
- Contraption Reference Guide
- SoundIn
- SoundOut
- AuxIn/AuxOut
- MidiIn
- 10Harmonics
- *FilePlayer
- *FileRecorder
- Arpeggiator
- Bassline
- BubbleBlower
- Compressor
- Drums
- FilePlayer
- FileRecorder
- LoopPlayer
- RissetTones
- TestGen
- CanonLooper
- DigiGrunge
- DLGranulator
- Flanger
- FrequencyShifter
- LiveLooper
- Limiter
- NastyReverb
- NoiseGate
- Phaser
- PulseComb
- RingAM
- SDelay
- Shaper
- SSpat
- 5Combs
- ParaEQ
- Nebuliser
- RissetFilters
- SouthPole
- Matrix
- Crossfader
- Frosscader
- Invert
- M*Mixer
- Gain
- P*Mixer
- S*Mixer
- M*Bus
- S*Bus
- VST Plugins
- Audio Unit Plugins
- The Metasurface
- Guide to the Document Switcher Window
- Settings Dialog Box
- Optimising Real-Time Performance
- Getting Help and Further Information
- How to Get Help While Using AudioMulch
- AudioMulch on the Web
- Sending Suggestions and Bug Reports
- Further Reading
- Selected Technical Bibliography
- Glossary
- Appendix
| Buses | Previous Next |
S*Bus
Mixes stereo signals without volume control. Useful as a patch-point for complex patches. (Provided for backward compatibility).

S*Buses (* indicates the number of stereo input pairs), are stereo summing buses. All signals are mixed to the output with unity gain This contraption is mainly present for historical reasons. It was more useful before AudioMulch automatically mixed multiple connections to one input. It remains useful for providing a single neutral connection point for combining signals in complex patches, or when you need a placeholder for connecting and disconnecting signals during a live performance.
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Connecting a patch cord to only one side of a stereo input on this contraption bridges the audio to both inputs. |
Related Contraptions
Instructions
S*Buses have no parameters or Property Editor.
